‘Leonardo’s Bicycle’ progresses


The writing and drawing up of my investigation into the hoax of  ‘Leonardo’s Bicycle’ continues a pace, but does anybody out there have a take on the business side of the Leonardo industry? The sample shows just some of the tat plastered with his ‘Mona Lisa’, but what about all those exhibitions of models where you almost never see an actual Leonardo? And just how many departments are there in the world bristling with well-paid academics trawling through the poor sod’s work? Like no other artist, Leo is an multi-national industry, but has anybody written about it?

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